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Libretas Franz Landry ir Richard Rillo. Sausio 13d. Dolskio spektaklyje vaidino Z. Gordon, Strujskaja, Azarov, B. Alekin, Ju. Danielius Dolskis m. Kaip matome D. Savo programoje D. Apie D. Kai kuriuose Kauno restoranuose ir kinematografuose gastroliuoja p.
DanieIius Dolskis. Paskutiniosios, m. Nikolajevskio orkestrais. Dvarionas, broliai Orantai ir kt. Augustino Griciaus Pro memoriam D. Ko tu lendi prie manosios?! Ir po naujos ofenzyvos Draugas guli nebegyvas. Jurbarke — m. Muzikologas V. Mikulskio vadovaujamame oktete. Nuo m. Pirmus metus dainavo chore. Iki Antro pasaulinio karo A.
Kauno radiofonas grojo jo dainuojamas dainas. Filharmonijos chore. Po ilgos pertraukos A. Artimieji prisimena, jog netrukus A. Ten maitinosi karininkai ir policininkai. Po sunkios ligos A. Dainininkas A. Mikui Petrauskui — Mikas Petrauskas m. On November 17th the Chicago Lithuanians showed themselves to the Americans in deeds, but not with noise!
On this day the concert was given by our honorable singer and composer, Mr. Mikas Petrauskas. He is the first singer that has proved to the world that even an oppressed nation has its geniuses, that under its straw roof great men are born. A majority of the public was Lithuanian.
The first number on the program was a duet, violin and piano, suite number 2 in E major, Eduard Schuett, by Mrs. Then Mr. Petrauskas came on the stage. The public received him with a great ovation,flowers were thrown under his feet, it was several minutes before the public became calm. Petrauskas was moved by this 2ovation. The singer was moved by such a reception, so that he was unable to sing very well.
This song brought a greater impression on the Lithuanian public because they can understand the words. After this song the public demanded more. He sang another Lithuanian song of his own composition. These songs Mr. Petrauskas sang very well. The last sorrowful song brought tears in the eyes of the public. Further Mr. This song Mr. Number 5 was a piano solo, played by Mrs. Frederiksen is a very good pianist. Petrauskas was moved by the tremendous ovation the Lithuanians gave him.
By and by the artist came to himself and performed his duty perfectly as an artist should do on such occasions. This comedy, which was the first Lithuanian play to be staged in America on Dec. The entire program was under the personal direction of Mikas Petrauskas, world-famous Lithuanian composer and director of the Biruta Society.
The whole affair was successful in every way, except from a financial standpoint. It is estimated that of the fifty thousand Lithuanians in the Chicago area only about one per cent came to witness the first presentation of the first Lithuanian opera. As a result, the affair resulted in a deficit of more than twenty dollars. The reason for the small attendance is the low level of intelligence of our people, and the apparent fact that they are still more interested in saloons than anything else.
Financially, an ordinary workingman enjoys a better life than our writers, musicians, and artists. This act was very impressive, like a prayer to the Lithuanian gods. Horodeikis, who rendered a very satisfactory performance. It was very successfully presented. This performance cannot be praised nor censured, but compares favorably with the usual American presentations.
It created the impression that it is only the first act of a long drama, and not a complete Play. The libretto is not a drama, tragedy, or a comedy. Two or three more acts could easily have been added to this operetta, then it would really be a grand opera. Jei dometis giliau, tai visur yra to sudo kuris kisamas per televizija, is esmes visoje Europoje. Taciau kalbant apie posovietines salis, musu sudai labiau smirda, nes jie dar priklausomi nuo sovietiniais laikais egzistavusio ir kisamo ideologiskai teisingo estradinio kico.
Pas mus tos tradicijos issilaike, nes daugybe zmoniu jaunysteje girdejo ta slamsta ir negirdejo alternatyvu, nes ju buvo mazai, ir dazniausiai - jos neprieinamos. Ta nostalgija naturaliai issilaike zmoniu galvose, todel po nepriklausomybes vestuviu muzikantai atrado ta nisa ir ja puikiai pasinaudojo.
To blogo popso tradicijos tokiu budu issilaike ir buvo bei tebera nesamos siandien. As jokiu budu neteigiu, kad visa estrada tais laikais buvo blogis, - taip sakyti butu nesamone. Taciau taip mazdaug galiu paaiskint, kodel vakaru europoje popsas buvo kitoks - kokybiskesnis. Aisku, dabar ir tas popsas kuris buvo kokybiskas pries 20 metu, skamba kaip sudas, nes tai sritis kuri labai priklauso nuo mados.
Viskas labai keiciasi. Manau ta jaunoji karta kuri nera paliesta sovietmecio realiju, nores kurti kokybiska popsa ar visa kita muzika,kuria galima taip pavadinti - dabar juk viskas kitaip, yra internetas, turime visas galimybes keliauti, studijuoti, pamatyti ir isgirsti naujausia muzika ir t. Tada popsas eme visiska virsu, beskonybes blynai buvo kepami ant kiekvieno kampo ir kisami zmonems i gerkles ir i subines. Net tie, kas pries tai stengesi palaikyti kokybiskos muzikos gyvasti - supopsejo dar labiau.
Aisku,visada buvo alternatyvos. Per tuos metus stiprejo pogrindine muzika, kuri po metu pradejo vis labiau skleistis ir populiareti zinomumo prasme. Tavo muzika: Grotuvas close. Ant bangos. Susijusi muzika: pasirinkti. Copyright music. Man patinka! LNK 5-ojo gimtadienio daina. Baltija V. Bubelis, T. Paulauskas, A. Portalas - Pochui Man. Palaimink, Dieve, Mus A. Mokyklinis valsas. Tu atstumta. Trys Keturiose - Trep trepo, martela. Intro Che Geravara. Kiesa - Virga Kabo.
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